Francois Ferracci’s short movie deals with an apocalyptic scenario:
It’s Oct. 10, 2020. A couple is on a date. They’ve only recently met, he’s crazy about her, and he’s snapping (or digitally producing) thousands of pictures — of her, of them, of Paris; he’s the kind of lover who wants to record everything all the time. She’s a little put off by his techie ardor, but he’s obsessed — until, all of a sudden, his gadget freezes. He can’t take pictures any more. The images he got start — they start to fade.